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Andrew Masullo

Born in Elizabeth, New Jersey, in 1957

Education

1979Rutgers University, New Brunswick, NJ; BA, Studio Art

One-Person Exhibitions

2013Mary Boone Gallery, New York

2012Brick Walk, Hartford, CT
Gallery Paule Anglim, San Francisco

2011Steven Zevitas Gallery, Boston
Daniel Weinberg Gallery, Los Angeles

2010Feature Inc., New York

2009Texas Gallery, Houston
Daniel Weinberg Gallery, Los Angeles

2008Gallery Paule Anglim, San Francisco

2007Steven Zevitas Gallery, Boston
Daniel Weinberg Gallery, Los Angeles

2006Gallery Paule Anglim, San Francisco

2004Joan T. Washburn Gallery, New York (catalogue)

2002Joan T. Washburn Gallery, New York (catalogue)

2001Zolla/Lieberman Gallery, Chicago

2000Gallery Paule Anglim, San Francisco
Joan T. Washburn Gallery, New York (catalogue)

1999Thomas Ammann Fine Art, Zürich (catalogue)

1998Derek Eller Gallery, New York

1996André Emmerich Gallery, New York

1994André Emmerich Gallery, New York
Craig Cornelius Gallery, New York

1993Bockley Gallery, Minneapolis, MN

1991fiction/nonfiction, New York
Bockley Gallery, Minneapolis, MN

1990fiction/nonfiction, New York
Asher-Faure Gallery, Los Angeles

1989Bockley Gallery, Minneapolis
fiction/nonfiction, New York (catalogue)

1988fiction/nonfiction, New York

1987Bockley Gallery, Minneapolis, MN

1986Paulo Salvador Gallery, New York

Group Exhibitions

2013“Why Am I So Awkward?” Steve Zevitas Gallery, Boston
“Nonobjective,” Brick Walk Fine Art, West Hartford, CT

2012“Punt,” Feature Inc., New York
Biennial Exhibition, Whitney Museum of American Art, New York (catalogue)
“Twee Abstraction,” Tiger Strikes Asteroid, Philadelphia
“A. Abstr-action,” Galerija Contra, Koper, Slovenia

2011“Andrew Masullo, Stephen Mueller, Thomas Nozkowski, Alan Shields, Peter Young,” Texas Gallery, Houston
“Forrest Bess: 100 Years,” Kirk Hopper Fine Art, Dallas (catalogue)
“bodybraingame,” Rhona Hoffman Gallery, Chicago; curated by Hudson
“Assembly,” Edward Thorp Gallery, New York
“self-referral nonobjective,” Feature Inc., New York
“Katherine Bernhardt, Alfred Jensen, Chris Johanson, Chris Martin, Andrew Masullo, Judith Scott,”
     Mitchell-Innes & Nash, New York
“Channel to the New Image,” Friedrich Petzel Gallery, New York
“Jim Schmidt Presents: Abstraction,” Philip Slein Gallery, St. Louis, MO
“i am not monogamous, i heart poetry,” Feature Inc., New York
Thomas Ammann Fine Art, Basel Art Fair, Switzerland
“Object / Image,” Tibor de Nagy, New York
“Cries & Whispers,” Sam Lee Gallery, Los Angeles

2010“The Jewel Thief,” The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY;
     curated by Ian Berry and Jessica Stockholder
“Wall-to-Wall,” Daniel Weinberg Gallery, Los Angeles
“who loves the sun,” Susanne Hilberry Gallery, Ferndale, MI
“Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,” American Academy of Arts
     and Letters, New York
“Invitational Exhibition of Visual Arts,” American Academy of Arts and Letters, New York

2009“Abstract Alchemists,” Heather James Gallery, Palm Desert, CA
“Paintings,” Daniel Weinberg Gallery, Los Angeles
“Put Together,” Steven Zevitas Gallery, Boston
“Populate This Form,” Feature Inc., New York

2008“Another Damned Drawing Show, Daniel Weinberg Gallery, Los Angeles
“The Idea of Nature,” 33 Bond, New York; curated by William Weiss

2007“Block Party II: An Exhibition of Drawings,” Daniel Weinberg Gallery, Los Angeles
“Thoughts,” Feature Inc., New York
“Open End,” Kinkead Contemporary, Culver City, CA; curated by David McDonald

2006“Andrew Masullo, Naoto Nakagawa, Alexander Ross,” Feature Inc., New York
“Peter Acheson, Chris Martin, Andrew Masullo,” Baumgartner Gallery, New York; curated by Chris Martin
“Summer Group Show,” Baumgartner Gallery, New York

2005–06“The O Show,” Shore Institute of the Contemporary Arts, Long Branch, NJ; Kresge Foundation Gallery,
     Ramapo College, Mahwah, NJ; curated by MatCH-Art

2005“Around About Abstraction,” Weatherspoon Museum, Greensboro, NC; curated by Ron Platt
"Surface," Lucas Schoormans Gallery, New York, curated by Tate Dougherty

2004“Colored Pencil,” K.S. Art, New York

2003“Best in Show,” Marcel Sitcoske Gallery, San Francisco

2002“Gallery Artists Group Exhibition,” Zolla/Lieberman Gallery, Chicago
“Nina Bovasso, David Dupuis, Andrew Masullo,” Derek Eller Gallery, New York

2001“Gallery Artists Group Exhibition,” Zolla/Lieberman Gallery, Chicago

1999“The Stroke,” Exit Art, New York; curated by Ross Bleckner

1998“Little,” Jeffrey Coploff Gallery, New York
Summer Group Show, Derek Eller Gallery, New York
“From Here to Eternity: Painting in 1998,” Max Protech Gallery, New York; curated by Ruth Kaufmann

1997“Alive and Well,” Elizabeth Harris Gallery, New York
“Purely Painting,” Elizabeth Harris Gallery, New York

1996“Box,” Fotohui Cramer Gallery, New York

1995“Love Flight of a Pink Candy Heart: A Compliment to Florine Stettheimer,” Holly Solomon Gallery, New York;
     curated by Michael Duncan (catalogue)
Benefit Exhibition, White Columns, New York
“Geometric Abstraction,” Grimaldis Gallery, Baltimore, MD
“Geometry,” Allene Lapides Gallery, Santa Fe, NM

1994“Whateva,” Dru Arstark Gallery, New York
“Al dente,” Caren Golden Fine Art, New York; curated by Randy Wray
“Abstraction,” Rhona Hoffman Gallery, Chicago
André Emmerich Gallery, Basel Art Fair, Switzerland
“Retouching the Family Album,” Patricia Shea Gallery, Los Angeles

1993“Here’s Looking at Me: Contemporary Self-Portrait,” Espace Lyonnais d’Art Contemporain, Lyon, France;
     curated by Bernard Brunon (catalogue)

1992“Hollywood, Hollywood: Identity under the Guise of Celebrity,” Art Center College of Design, Pasadena, CA;
     curated by Fred Fehlau (catalogue)
“Paper,” Diane Brown Gallery, New York
“Forty Years of Paint-by-Number, 1952–1992,” Bridgewater/Lustberg Gallery, New York
“The Object is Bound,” Stephen Wirtz Gallery, San Francisco
“Mssr. B’s Curio Shop,” Threadwaxing Space, New York, curated by Saul Ostrow (catalogue)
“Are You a Boy or Are You a Girl?,” Real Art Ways, Hartford, CT; curated by Cary Leibowitz
“Dysfunction in the Family Album,” Diane Brown Gallery, New York, curated by David Humphrey

1991–93“Departures: Photography 1923–1990,” Cantor Gallery, Worcester, MA; traveled to Denver Art Museum,
     Denver, CO; Joslyn Art Museum, Omaha, NE; Pittsburgh Center for the Arts, Pittsburgh, PA: The Goldie
     Paley Gallery at Moore College of Art and Design, Philadelphia; Telfair Academy of Arts and Sciences, Inc.,
     Savannah, GA; curated by Edmund Yankov (catalogue)

1991“Just what is it that makes today’s homes so different, so appealing?,” The Hyde Collection, Glen Falls, NY;
     curated by Dan Cameron (catalogue)
“The Library of Babel,” Hallwalls Contemporary Art Center, Buffalo, NY; White Columns, New York;
     curated by Todd Alden (catalogue)
“Not on Canvas,” Asher-Faure Gallery, Los Angeles

1990“All Quiet on the Western Front? Part Two,” Espace Dieu, Paris
“Word as Image,” Bard College, Annandale-on-Hudson, New York
“Word as Image: American Art 1960–1990,” Milwaukee Art Museum, Milwaukee, WI; Oklahoma Art Museum,
     Oklahoma City, OK; Contemporary Arts Museum, Houston; curated by Russell Bowman (catalogue)
“Regarding Art: Artworks About Art,” John Michael Kohler Arts Center, Sheboygan, WI (catalogue)
“Hollywoodland,” fiction/nonfiction, New York
“Stripes,” Barbara Krakow Gallery, Boston
“All Quiet on the Western Front?” Galerie Antoine Candau, Paris (catalogue)
“Critic’s Choice,” Washburn Gallery, New York; curated by John Yau (catalogue)

1989“Departures: Photography 1924–1989,” Hirschl & Adler Modern, New York (catalogue)
“Boîte Alerte,” Renée Fotouhi Fine Art, New York
“Anne, ma soeur Anne...,” Galerie Antoine Candau, Paris
“The Milky Way,” Shoshona Wayne Gallery, Santa Monica, CA; curated by Stephen Westfall (catalogue)
“Repetition: 1969–1989,” Hirschl & Adler Modern, Basel Art Fair, Switzerland
“Invitational with Gallery Artists,” fiction/nonfiction, New York

1988“Benefit ’88,” White Columns, New York
“Andrew Masullo and Marilyn Minter,” fiction/nonfiction, New York
“The Altered Page: Selections from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry,
     Book Arts Gallery,” New York (catalogue)
“Doug Argue and Andrew Masullo,” Bockley Gallery, Minneapolis, MN

1987“Preview,” fiction/nonfiction, New York

1986“Small Works,” Sculpture Center, New York
“The Book Made Art,” Joseph Regenstein Library, University of Chicago; curated by Jeffrey Abt (catalogue)

1985“Book Arts II,” Hand in Hand Gallery, New York
“Mighty,” Small Works, Hand in Hand Gallery, New York
“Funeral Rites: Andrew Masullo, Andrés Serrano, Robin Parker,” White Columns, New York;
     curated by Bill Arning
“Artworks/Bookworks,” Dallas Public Library, Dallas, TX
“Artists’ Book Exhibition,” Hand in Hand Gallery, New York

1984“Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces,”
     International With Monument, New York; curated by Collins and Milazzo

1983“Third Annual Artists’ Book Show,” Kathryn Markel Gallery, New York
“R. Garratt, A. Masullo,” International With Monument, New York

Selected Bibliography

2013McQuaid, Cate. Review of “Why Am I So Awkward,” Boston Globe, 30 July  >link
Interview, twi-ny.com, 24 April  >link
Heinrich, Will. “Andrew Masullo at Mary Boone Gallery,” galleristny.com, 2 April  >link
Colvin, Rob. “Oddly Warped and Genuinely Thrilling Paintings,” hyperallergic.com, 17 April  >link
“Hit List: Things We Like,” Modern Painters, April, 31
Drutt, Matthew. “Eye on Art: Paintings and Sculpture,” BlouinARTINFO.com (video), 18 April  >link
“The Lookout: A Weekly Guide to Shows You Won’t Want to Miss,” artinamericamagazine.com, 14 March  >link

2012Rafkin, Louise. “Artist Andrew Masullo shares stuff art is made of,” San Francisco Chronicle,
     27 May, L5 (reproductions)  >link
Birks, Kimberlie. “Flashlights in our hands: the Whitney 2012 Biennial,” domusweb.it, 8 March  >link
Heinrich, Will. “Post-Post-Millennial: The New Museum Triennial and the Whitney Biennial, galleristny.com,
     28 February  >link
Schor, Mira. A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life, Duke University Pres Books,
     2010, 154
“Abstrakcija z druge strain Atlantika,” Primorske Novice, 8 May
Baldwin, Rosecrans. “Little, Big” (interview), themorningnews.com, 23 April  >link
Dunne, Susan. “‘Non-Objective’ Artist Andrew Masullo at Brick Walk Fine Art,” Hartford Courant, 22 April  >link
Aaronson, Xavier. “No Fluff in Their Stuff: Museum Guards Review the Whitney Biennial,” vice.com,
     5 April  >link    
Yau, John. “Without Elaboration (Part 2),” hyperallergic.com, 25 March  >link
Finch, Charlie. “Romper Room,” artnet.com, 23 March  >link
Kino, Carol. “Painting by Numbers, to Whitney Biennial,” New York Times, 25 March, AR21 (reproductions)  >link
Banai, Nuit. Review, Artforum, February, 232 (reproduction)
Miller, Francine Koslow. Review, Art in America, February, 117 (reproduction)  >link
McGarry, Kevin. “Out There: Live From the Whitney Biennial,” The New York Times Style Magazine Blog,
     2 March  >link
Smith, Roberta. “A Survey of a Different Color,” New York Times, 2 March, C21  >link
Hirst, Arlene. “The Whitney Biennial Opens Today in New York,” DesignWire, 1 March (reproduction)  >link
Viveros-Faune, Christian. “The Whitney Biennial 2012—Caution: Dead End,” Village Voice, 7 March  >link
Chayka, Kyle. “A Biennial Scorecard,” artinfo.com, 28 February  >link
Bay Area Arts Picks, San Francisco Chronicle, 23 February, F3  >link
Vogel, Carol. “Biennial Tweaks Its Boundaries,” New York Times, 17 February, C25–26 (reproduction)  >link
“Multicolored Melange,” Time, 19 March, 48 (reproduction)
Bischoff, Dan. “On Art: Andrew Masullo at the Whitney Biennial,” New Jersey Star-Ledger, 8 March  >link
Gordon, Amanda. “Scene Last Night at Whitney Biennial: Arnold Neidich, Close,” bloomberg.com, 29 February  >link

2011Johnson, Ken. “Self-Referral Nonobjective,” New York Times, 9 September, C26  >link
Simek, Lucia. “Forrest Bess 100 Years at Kirk Hopper,” glasstire.com, 17 October  >link
Cook, Greg. Review, gregcookland.com, posted 17 November  >link
McQuaid, Cate. Review, Boston Globe, G Magazine, 16 November, 4 (reproduction)  >link
Smith, Roberta. “At the Met, a Canvas Ahead of Its Time,” New York Times, 15 July, C25  >link
Smith, Roberta. “Katherine Bernhardt, Alfred Jensen, Chris Johanson, Chris Martin, Andrew Masullo, and
     Judith Scott,” New York Times, 15 July, C23  >link

2010Finch, Charlie. “Kleemation,” artnet.com, 22 December  >link
Smith, Roberta. “Andrew Masullo: Recent Paintings,” New York Times, Last Chance, 3 December 2010, C23
Smith, Roberta. “Andrew Masullo: Recent Paintings,” New York Times, Art in Review, 25 November, C36  >link
Thomson, Steven. “Dallas Art 2.0: Texas Triumph or Sophomore Slump?,” Culturemap.com, 9 February

2009Britt, Douglas. "Small Paintings Have Big Impact," Houston Chronicle (Zest Magazine), 18 October, 4–5
     (reproduction)
Davenport, Bill. “2009 Fall Preview,” Glasstire.com, September (reproduction)

2008Baker, Kenneth. Review of exhibition at Paule Anglim, San Francisco Chronicle, 20 September, E10
     (reproduction)

2007Frank, Peter. “The Big Picture and the Small,” LA Weekly, 14 February                
Hainley, Bruce. Review, Artforum, December, 361 (reproduction)
Kahlenberg, Sara. “Make Mine Abstract,” artslant.com, posted 13 February
McQuaid, Cate. Boston Globe, Calendar Section, 1 November, 5 (reproduction)
Pagel, David. “Centripetal Forces of Color, Texture,” Los Angeles Times, 28 September, E18–19 (reproduction)

2006“Andrew Masullo at Paule Anglim”, artfever.blogspot.com, 22 October
Genocchio, Benjamin. “Exploring the Circle from Every Angle,” New York Times, 1 January,
     Arts & Entertainment section, 8

2005“SICA Presents: A Roundtable Discussion and Gallery Tour with the O Show,” UpstageMagazine.com,
     15 December
“Homage to ‘O,’” Atlanticville, 1 December, 30 (reproduction)
“Exhibition Comes to SICA,” UpstageMagazine.com, 11 November
Buckner, Keith. “Abstract: Door to Subconscious,” gotriad.com, 14 July
McIrvine, Ted. “Museum is Worth a Visit,” Hendersonville Times-News, 10 July
Patterson, Tom. “Angles on Abstraction,” Winston-Salem Journal, 26 June

2004Andrew Masullo, exhibition catalogue, Joan T. Washburn Gallery, New York
Naves, Mario. “In a Dark Hour for Abstraction, a Welcoming Impurity Beckons,” New York Observer,
     9 February, 18
Naves, Mario. “Candy-Store Canvases: Masullo’s Sweet-Tooth,” New York Observer, 12 July, 18
Smith, Roberta. “Looking Back at the Flurry on the Far Side,” New York Times, 10 December

2003Duncan, Michael. Review, Art in America, May, 140 (reproduction)
Martin, Chris. “On Abstract Painting,” Brooklyn Rail, April/May, 24–25

2002Andrew Masullo, exhibition catalogue, Joan T. Washburn Gallery, New York
Kalm, James. “Gigantus Abstractosaurus: Twilight of the Dogmas,” NY Arts, October
Moylan, Chris. “Nina Bovasso, David Dupuis, Andrew Masullo,” artcritical.com, February
Naves, Mario. Review, New York Observer, 7 October, 20

2000“Preziosen und Candy: Andrew Masullo bei Ammann Fine Art,” Zürcher Kultur, Neue Zürcher Zeitung,
     10 February, 34
Andrew Masullo, exhibition catalogue with text by John Yau, Joan T. Washburn Gallery, New York
Helfand, Glen. Review, San Francisco Bay Guardian, 22 November, 93
Kalm, James. Review, NY Arts, December, 67 (reproduction)
Mason, Brook S. “Hanging Around New York: A Monthly Guide,” The Art Newspaper, September, 80
Naves, Mario. “Andrew Masullo’s Lap Paintings Have a Goofy Significance,” New York Observer, 2 October, 17
     (reproduction)
Naves, Mario. “Punchy Canvases Searching for Beauty,” New York Observer, 17 April, 17
Newhall, Edith. “Fall Art Preview,” New York Magazine, 11 September, 122 (reproduction)

1999Andrew Masullo, exhibition catalogue with text by George Frei, Thomas Ammann Fine Art, Zurich
Dailey, Meghan. Review, Artforum, March, 126 (reproduction)

1998Johnson, Ken. Review, New York Times, 6 November, E40
Mason, Christopher. “Uptown, Downtown: Mixing Like Paint,” New York Times, 10 December, E4 (reproduction)

1997Finch, Charlie. “The Royal Flush,” Artnet.com, 29 October
Murdock, Robert M. Review of “Alive and Well,” Review, 1 October, 22

1996Cotter, Holland. Review, New York Times, 15 March, C27
Edelman, Robert. “Laying It on Thick: Andrew Masullo,” Cover, April, 14–15 (reproduction)
Michaels, Bernd. Kunst in der Provinzial, Provinzial Versicherungsanstalten, Düsseldorf

1995Hutchings, David. “Art and Soul,” In Style, December, 109 (reproduction)

1994Review, ARTnews, Summer, 178 (reproduction)
“From Bad to Good,” New Yorker, 19 September, 24
Humphrey, David. Review, Art Issues, November/December, 32–33 (reproduction)
Johnson, Ken. Review, Art in America, December, 97–98 (reproduction)

1993Here’s Looking at Me: Contemporary Self-Portrait, exhibition catalogue with text by Bernard Brunon,
     Espace Lyonnais d’Art Contemporain, Lyon, France

1992Cyphers, Peggy. Review, Arts, February, 81
Hollywood, Hollywood: Identity under the Guise of Celebrity, exhibition catalogue with texts by Fred Fehlau,
     Anne Friedberg, Michael Lassell, and David Robbins, Art Center College of Design, Pasadena, CA
Hagen, Charles. Review of “Paper,” New York Times, 31 January, C19
Ostrow, Saul. Messr. B’s Curio Shop, exhibition catalogue, Threadwaxing Space, New York

1991The Library of Babel, exhibition catalogue with text by Todd Alden Hallwalls Contemporary Arts Center, Buffalo, NY
Just what is it that makes today’s homes so different, so appealing?, exhibition catalogue with text by Dan
     Cameron, The Hyde Collection, Glen Falls, NY
Departures: Photography 1923–1990, exhibition catalogue with introduction by Edmund Yankov and text by
     Andy Grundberg, Cantor Gallery, Worcester, MA
Levin, Kim. Village Voice, Art in Brief, 3 December, 77

1990Schwendenwien, Jude. Review, Artscribe International, January, 84–85 (reproduction)
Andreoli-Woods, Lynn. “Stupid Nothings and Celebrations: Two Approaches to Nostalgia,” L.A. Reader,
     23 February, 17 (reproduction)
Word as Image: American Art 1960–1990, exhibition catalogue with texts by Gerry Biller, Russell Bowman,
     and Dean Sobel, Milwaukee Art Museum, Milwaukee, WI
All Quiet on the Western Front?, exhibition catalogue with texts by Alan Jones, Joseph Masheck, and
     Tricia Collins/Richard Milazzo, Galerie Antoine Candau, Paris
Coleman, A. D. Review, New York Observer, 24 September, 24
Decter, Joshua. Review, Arts, December, 98
Regarding Art: Artworks About Art, exhibition catalogue, John Michael Kohler Arts Center, Sheboygan, WI
Geer, Suvan. “Detritus of Culture,” Los Angeles Times, 16 February, F27–28 (reproduction)
Kastner, Jeffrey. Review, New Art Examiner, March, 52
Mahoney, Robert. Review of “Critic’s Choice,” Flash Art, March/April, 180
Nesbitt, Lois E. Review, Artforum, December, 138–139 (reproduction)
Critic’s Choice, exhibition catalogue with text by John Yau, Washburn Gallery, New York

1989Andrew Masullo, exhibition catalogue with text by Dan Cameron, fiction/nonfiction, New York
Donahue, Marlena. Review of “The Milky Way,” Los Angeles Times, 28 July, 18
Frank, Peter. Review of “The Milky Way,” L.A. Weekly, 15–21 September, 115
Handy, Ellen. Review, Arts, September, 95–96 (reproduction)
Hapgood, Susan. Review, Flash Art, October, 131 (reproduction)
Hirsch, David. “Summer Thrills for Humid Heat,” New York Native, 24 June, 30
Kaplan, Steven, Review, Etc. Montreal, Autumn, 80–81 (reproduction)
Levin, Kim. Choices, Village Voice, 2 May, 50
Mahoney, Robert. “Quiet Desperation: Installations Revisited,” Arts, November, 58–63 (reproduction)
Montgomery, Lee. “Milky Way Show: Diverse Look at Universal Concepts,” Santa Monica Outlook, 28 July,
     D6 (reproduction)
Smith, Roberta. Review, New York Times, 21 April, C24 (reproduction)
Stephens, Richard. “Freefalling Through the Galaxy,” L.A. Artweek, 9 September, 29
Wallach, Amei. “SoHo Gets Another Boom,” New York Newsday, 7 April, Weekend section, 15
Departures: Photography, 1924–1989, exhibition catalogue with text by Simon Watney, Hirschl & Adler Modern,
     New York
The Milky Way, exhibition catalogue with text by Stephen Westfall, Shoshona Wayne Gallery, Santa Monica, CA
Yau, John. Review, Contemporanea, July/August, 31

1988The Altered Page: Selections from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry,
     exhibition catalogue with text by Marvin Sackner, Book Arts Gallery, New York

1986The Book Made Art, exhibition catalogue with text by Jeffrey Abt, University of Chicago

Projects, Publications, and Reproductions of Artwork

2011Armstrong, Tom. A Singular Vision: Architecture, Art, and Landscape, The Quantuck Lane Press, distributed by
    W.W. Norton (reproduction)
“Sunny by the Sea,” New York Spaces, September 2011, 148 (reproduction)

2009“I Can Read in Red, I Can Read in Blue, I Can Read in Pickle Color Too,” online exhibition curated by
     Douglas Melini, Minus Space, New York  >link
Humphrey, David and Geoff Kaplan. Blind Handshake, Periscope Publishing, Fall (reproductions)

2007Untitled publication, no. 1 (Spring), Feature Inc., New York (reproduction)

1994Paris Review, Fall (cover art)

Awards and Grants

2011Guggenheim Foundation Fellowship

1989New York State Council on the Arts, CAPS grant

1988Pollock-Krasner Foundation grant

 

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