Using his childhood experiences and field manuals as primary sources of
reference, Ben Snead paints fish, beetles, insects, birds, and frogs, arranging or
choreographing them in simple, repetitive, geometric patterns on softly modeled tones.
His classification systems are developed primarily on aesthetic rather than scientific values,
and the unnatural configurations, are mostly about patterning, decoration, and mild
sociological commentary on beauty and exoticism, same and other, work and play. Often, especially in the most recent paintings, a layering of the patterns coupled with a complex push and pull within the figure ground relationships, creates a pulsing phantasmagoria. If alone for their color and structure, which is anatomically correct, there is an exuberance in these depicted creatures which leaves one to wonder if they have any self awareness of the fleeting nature of their lives, their beauty and their individuality. |
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Unit Structures, 2005; oil paint on linen; 70 x 80” | Untitled, 2006; pencil on paper; 24 x 19” | Untitled, 2005; oil paint on linen; 64 x 74” | The Dream of Many Faces, 2006; oil paint on linen; 76 x 72” |
The Dream of Many Faces, 2006 (detail) | Untitled, 2006; pencil on paper; 24 x 19” | Untitled, 2006; oil paint on linen; 78 x 78” | Love and Affection, 2006; oil paint on linen; 30 x 31” | New Song, 2006; oil paint on linen; 78 x 60” | Untitled, 2006; pencil on paper; 24 x 19” | Shang A Dang Dang, 2005; oil paint on linen; 76 x 40” |
Portal #3, 2004-2006; oil paint on linen; 81 x 73.5” |
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